|
Pairing: Spike/Xander |
|
Missing You
by
Darkhavens
1 Grief and Parting Gifts
When they finally found a motel that could take them all, the girls grabbed their bags from the luggage space and staggered inside in almost silent clumps of two and three.
Xander stood back and let them scuffle amongst themselves, content to retrieve his stuff once they were gone.
He wasn't expecting to find two bags - the one he vaguely remembered packing, between miniature panic attacks, and the one that had disappeared somewhere around the last time Spike had been under his roof.
The ache in his chest was unexpected. Sure, he was grieving for Anya, but… Spike? Apparently so.
|
|
2 The Crash and The Clash
For weeks Xander doesn't do more than move the bag from one place to another, too weighted down by grief and despair, by apathy and bone-deep weariness.
Then comes a burst of frantic energy that leaves him no time to weep or mourn or break himself against his memories.
One moment he's staring at a TV he has no recollection of buying, and the next he's on his knees in the closet, pawing through the bag, half-terrified by something that tastes like hope.
The disc's there, just as he'd thought, and there's a crumpled, neatly written yellow PostIt Note attached.
|
|
The 'double album' is, of course, 'London's Burning' by The Clash. For a deeper understanding of this double-drabble, the lyrics of the above named tracks, 'London's Calling', 'Four Horsemen', 'Koka Kola' and 'Lost in the Supermarket' should be read while keeping in mind both Spike and, especially for the last one, Xander.
|
The Clash London Calling |
The Clash Four Horsemen |
The Clash Koka Kola |
The Clash Lost In The Supermarket |
3 New Leather Versus Old Rubber and Plastic Crocodile-Skin
The girls send him an Italian leather wallet for Christmas. It sits in a drawer for months.
He feels guilty when he finally starts to empty out his old, Made in Taiwan, plastic crocodile-skin gift from Grammy Harris.
On the front there's an acid burn the size of his thumb, from when Spike picked a fight with spitting-mad Gruylen. He'd returned it with a grin and the offer of a slug from his new pint of Jack.
There's a condom tucked away, three years out of date; Anya always brought her own, lubricated, ribbed and flavored.
There's also a note.
|
|
4 Platters For Platters
It's only when Xander finally decides to put his Babylon 5 plates on display that he discovers they're not there any more. In their place is a stack of vinyl discs, carefully preserved, along with their garish paper sleeves, in tightly taped up bubble wrap.
Xander is not amused.
He digs - carefully - through the cuckoo's eggs for the note he knows he's going to find: all perfect copperplate penmanship and Spike's imperfect charm.
It's taped to the bubble wrap protecting Pressed For Cash, by Peter and the Test Tube Babies/Fits. He reads it twice, then reaches for the phone.
"Andrew?"
|
|
The price given for the vinyl mentioned is correct, AFAIK.
5 The End and A Beginning
It doesn't occur to him that there might be something odd about starting a conversation with the words 'Spike says you have my plates', but there's certainly something odd about the response he gets.
"I don't know what… It wasn't… Ooh, I knew he was still evil! Wait 'til I see him next week, I'll-"
It wasn't difficult to get the details out of Andrew, it only cost Xander continued custody of the purloined plates.
He was on a plane an hour later, in LA two after that.
Another hour saw him standing in the lobby of Wolfram and Hart.
|
|
The End
| Feed the Author |